You know those times when you’re in a conversation and the next day in the shower you think of exactly the right thing you should have said? Happens to me all the time.
Last Saturday I was on a panel at the Richmond International Film Festival’s “Flow” conference. The question put to us was, “How do you get back into the creative flow when you’re stuck?” I think I blathered something inane about taking a walk. What I should have said is, “I pray.”
In our film, SHOOTING THE PRODIGAL, Brother Bob Cross confesses, “The only time I know what I’m doing is when I’m telling God I don’t know what I’m doing.” That has been my experience; especially over the last several years as I’ve been working on the film. I’m often stuck. And the cure has always been to place it in God’s hands and trust Him for the solution.
Last night we gathered for the world premiere of our film, SHOOTING THE PRODIGAL. Six years in the making, it is hard to describe how it felt to sit in the theater and see it on the big screen. Surreal, magical, humbling, grateful, nervous, thrilling… those are the first ones that come to mind.
Andy Edmunds, Director of the Virginia Film Office, was generous in his opening remarks. He talked about the importance of the home-grown film industry, and how our project is a good example of the kind of project his office is trying to encourage: conceived, funded, developed, produced, and distributed in Virginia.
Dr. Theodore F. Adams was the legendary pastor of Richmond’s First Baptist Church from 1936 to 1968, and president of the Baptist World Alliance from 1955 to 1960. He was on the cover of Time Magazine December 5, 1955. Almost 50 years after leaving the First Baptist pulpit, he is still revered.
The 1950’s were a booming era for churches. And those churches that also had a gifted pastor like Ted Adams were busting at the seams. I’ve heard some of the old-timers recall that all you had to do was open the doors and get out of the way. The pews were filled every Sunday.
A lot of churches that boomed in the 50’s are struggling to survive these days. With dwindling congregations, aging buildings and an unhealthy measure of nostalgia, they’re trying to figure out how to bring back “the good old days.” They point to the mega churches, the embodiment of American success and wonder, “why can’t we be like that?”
That’s the situation for the fictional Eternal Hope Baptist Church of Homer, Alabama in our film SHOOTING THE PRODIGAL. They remember the good old days when the church’s founder, Brother Big Bob Cross presided over a thriving enterprise. But these days, there are lots of questions and few answers: How do we keep the young folks engaged? How are we going to keep the church doors open? And, of course, “What would Brother Big Bob do?” Continue reading The Good Old Days→